Abigail Soloman-Godeau- Artist, Oeuvre, Corpus and Archive: Thinking through Zofia Rydet’s “Sociological Record”

21 Mar 2017 6:00 PM - 8:00 PM
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Tokamaru Theatrette- 10A02
Museum Building 10, 10A02

Although relatively unknown in most of the world, Zofia Rydet (1911-1997) is very well known in her native Poland, especially for her vast and open-ended photographic documentation of (mostly) rural Poles in their homes. First conceived in 1978 when Rydet was 67, the Record continued to expand through the 1980’s. As of 2014, 20,000 of her photographs have been digitally scanned. By the time of her death in 1997, the Record alone had come to encompass approximately 16,000 negatives, many of which she had never printed. Solomon-Godeau will present her paper that takes Rydet’s project as a point of departure with which to consider the problems posed by such archives in terms of nationalism, (especially Benedict Anderson’s concept of Imagined Communities) of authorship and style, and the complexities of historical remembrance (or forgetting).

To register, please follow the Event Finda link: https://www.eventfinda.co.nz/2017/abigail-soloman-godeau-public-lecture/wellington

OR, RSVP to L.Cross@massey.ac.nz Numbers are limited

Before becoming an art historian, Abigail Solomon-Godeau was a freelance critic, curator and photographic critic and historian. Her first book, Photography at the Dock: Essays on Photographic History, Institutions, and Practices was published by the University of Minnesota Press in 1991. Her second, Male Trouble: A Crisis in Representation, on the imagery of masculinity in French neoclassicism, was published by Thames & Hudson in 1997. A third book, Photography After Photography: Gender, Genre and History is forthcoming from Duke University Press. Her essays have appeared in such journals as Art in America, Artforum, The Art Journal, Afterimage, Camera Obscura, October, Screen, and have been widely anthologised and translated into various languages. Among the exhibitions she has curated are "The Way We Live Now" 1982, "Sexual Difference: Both Sides of the Camera," 1992,"Mistaken Identities" (with Constance Lewallen) (1994); "The Image of Desire; Femininity, Modernity, and the Birth of Mass Culture in Nineteenth-Century France" (with Beatrice Farwell, 1998).

For more information on Abigail Soloman-Godeau, please see http://www.arthistory.ucsb.edu/people/abigail-solomon-godeau

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