Creative Work
Noble, A. (2019, November 1).
Observations from the Critical Zone. (No. of Pieces: 26) [Photomedia]. Two Rooms Gallery, 16 Putiki St, Newton, Auckland 1021.
[Exhibition]Authored by: Noble, A.Read Abstract:
Noble, A., & Gray, J. (2018)
SANCTUM: A Beehouse for Bundanon. [Exhibition] Bundanon, Australia
[Artwork]Authored by: Noble, A.Read Abstract:
Noble, A. (2018)
Museum for the Bee
(For a time when the bee no longer exists). [Exhibition] Queensland Art Gallery of Modern Art QAGOMA
[Artwork]Authored by: Noble, A.Read Abstract:
Noble, A. (2018)
Conversatio: A Cabinet of Wonder. [Exhibition] Queensland Art Gallery
[Artwork]Authored by: Noble, A.Read Abstract:
Noble, A. (2017)
Race to the Pole Re-enactment. [Exhibition] IMAS Gallery, Institute of Marine and Antarctic Studies, UTAS, Hobart, Tasmania, Australia
[Artwork]Authored by: Noble, A.view more...
Noble, A. (2017)
PHANTASM. [Exhibition] IMAS GALLERY, Institute of Marine and Antarctic Studies, Hobart, Tasmania, Australia.
[Artwork]Authored by: Noble, A.Read Abstract:
Noble, A., & BROWN, A. (2017)
'whiteout whitenoise' (3). [Exhibition] IMAS / Institute of Marine and Antarctic Studies Gallery, HOBART, Tasmania, Australia
[Artwork]Authored by: Brown, A., Noble, A.Read Abstract:
Noble, A. (2017, March 24).
NO VERTICAL SONG (2). (No. of Pieces: 14) [Photography and Video installation comprising: NO VERTICAL SONG The Dead Bee Portraits. #1, #2, #3, #5, #6, #7, #9, #11, #13 250mm X 340mm. EIDOLON #3, #6. 3D acrylic prints of bees created with reference to the photographic images. 100mm X 100mm X 60mm. REVERIE Video. 8min 54sec]. Centre for Contemporary Photography, Melbourne, Australia, & St Marks Church, Fitzroy. Art+Climage=Change, 2017 International festival of climate change related art and ideas.
[Exhibition]Authored by: Noble, A.Read Abstract:
Noble, A. (2017)
REVERIE. [Exhibition] St Mark's Church, Fitzroy, Melbourne, Australia
[Artwork]Authored by: Noble, A.Read Abstract:
Ellingsen D, ., David, P, ., Halso, I, ., Kopp, N, ., Noble, A, ., & Powell, E, . (2017, July 1).
GUARDIANS II: BEES 'n TREES. (No. of Pieces: 11) [Photography]. Natuurmuseum, Frysian, Netherlands.
[Exhibition]Contributed to by: Noble, A.Read Abstract:
Noble, A. (2017, September 23).
UMBRA. (No. of Pieces: 22) [7 photograms 3000mm X 1000mm, 8 photograms 1800mm X 600mm and 6 white resin 3D prints of bees 100mm X 100mm X 60mm.]. TWO ROOMS Gallery, Auckland, New Zealand. 23 September - 22 October 2017.
[Exhibition]Authored by: Noble, A.Read Abstract:
Noble, A., & Brown, A. (2017)
WHITEOUT WHITENOISE. [Exhibition] PROJECT SPACE SPARE ROOM
[Artwork]Authored by: Noble, A.Read Abstract:
Noble, A. (2017)
REVERIE. [Exhibition] St Marks Church, Fitzroy, Melbourne, Australia. CLIMARTE FESTIVAL 2017
[Artwork]Authored by: Noble, A.Read Abstract:
Noble, A., & Brown, A. (2016).
whiteout, whitenoise. Penang, Malaysia
[Design]Authored by: Brown, A., Noble, A.Contributed to by: Brown, A.Noble, A. (2016)
BRUISSEMENT – Bee Wing Photograms #11, #12. [Exhibition] [3200mm x 1100mm]. Selected by curator Geoffrey Batchen for inclusion in EMANATIONS, a global survey of cameraless photography. The Govett-Brewster Art Gallery / Len Lye Centre, New Plymouth, New Zealand. 29 April - 14 August 2016
[Artwork]Authored by: Noble, A.Noble, A. (2016)
Dead Bee Portraits # 2, #7, #13,. [Exhibition] Centre of Contemporary Art, Christchurch, New Zealand
[Artwork]Authored by: Noble, A.Read Abstract:
Noble, A. (2016)
Bruissement #10 and Bruissement #11. [Exhibition] Centre for Contemporary Art, Christchurch, New Zealand
[Artwork]Authored by: Noble, A.Noble, A. (2016, June 4).
ABEILLE ABBAYE: A CABINET OF CURIOSITY. (No. of Pieces: 6) [A multi-media installation comprising: a photographic cabinet with a live colony of bees inside it, a suite of photograms made with the wings of dead bees, two video works 2.00min and 8.54min, a catalogue in the form of a newspaper, and a suite of branded products and artefacts]. Abbaye de Noirlac, France. 4 June - 6 November 2016.
[Exhibition]Authored by: Noble, A.Read Abstract:
Noble, A. (2016)
Touch Memory. [Exhibition] Syracuse Gallery of Art
[Artwork]Authored by: Noble, A.Read Abstract:
Noble, A., & Brown, A. (2016, August 15).
WHITEOUT WHITENOISE. [A multi-media installation including photographs and texts as suites of concertina pages (each page 253mm X 213mm), a riddle and a book box. WHITEOUT #1–#40 images of Antarctic light and illusory space. Pigment prints on matte paper. WHITENOISE #1–#60 excerpts from fiction and non-fiction sources that include metaphorical uses of the word white. The box is included in the exhibition as the vessel for the work]. Obscura International Festival of Photography, Penang, Malaysia.
[Exhibition]Authored by: Brown, A., Noble, A.Read Abstract:
Noble, A., Chisholm, H., & Foster, S. (2016).
SONG STING SWARM. (A 58min performance work comprising a visual score of edited video and composite images [NOBLE], interactive projection and light [FOSTER], a monastic bee chorus created from hive recordings and ambient hive sounds [NOBLE], solo improvisation with voice, saxophone, and shruti box and sung verses from Georgics IV, Virgil's latin poem to bees, to nature and to human labour [CHISHOLM]) SONG STING SWARM: Abbaye de Noirlac, France
[Performance]Authored by: Noble, A.Read Abstract:
Te Ao, S., Bell, R., Foster, S., Puke, K., Fritsch, K., Hipkins, G., . . . Noble, A. (2016, May 18).
Trigger Points 2016, Syracuse University, New York. Palitz Gallery, Syracuse University, New York.
[Exhibition]Authored by: Noble, A., TeAo, S.Contributed to by: TeAo, S.Read Abstract:
Noble, A. (2015)
SPECTREGRAPH #09, SPECTREGRAPH #10. [Exhibition] [Two photograms, selected for inclusion in the exhibition, The Alchemists: Rediscovering Photography in the Age of the Jpeg. Digital pigment prints, 3200mm x 1100mm]. Australian Centre For Photography, Sydney, Australia. 30 October - 6 December 2015
[Artwork]Authored by: Noble, A.Read Abstract:
Noble, A. (2015)
Spectregraphs #1–#3. [Exhibition] Hendon Gallery, Antioch College, Ohio, USA
[Artwork]Authored by: Noble, A.Read Abstract:
Noble, A. (2015, May 28).
NO VERTICAL SONG (1). (No. of Pieces: 16) [Photographs and 3D resin prints]. Two Rooms Gallery, Auckland.
[Exhibition]Authored by: Noble, A.Read Abstract:
Noble, A. (2014, September 30).
BITCH IN SLIPPERS. (No. of Pieces: 43) [Photography]. Jonathan Smart Gallery, Christchurch, New Zealand.
[Exhibition]Authored by: Noble, A.Noble, A. (2014, February 4).
NATURE STUDY. (No. of Pieces: 14) Bartley and Company Art, Wellington, New Zealand. 4 February - 28 February 2014.
[Exhibition]Authored by: Noble, A.Meehan, N., Manhire, B., Noble, A., & Griffin, H. (2014).
These Rough Notes. (Live performance) These Rough Notes: An Evocation of Research: Sky City Convention Centre
[Performance]Authored by: Noble, A.Read Abstract:
Noble, A. (2013, February 27).
WHITE SHADOW WHITE SHINE. (No. of Pieces: 20) [includes the work ‘Phantasm’ – a grid of 12 images,1800mm X 3200mm, ‘Had We Lived…’ a sequence of 5 portraits of Scott and his men, made from a degraded reproduction, 600mm X 800mm and ‘Nieves Penitentes’ a series of photographs of fumeroles taken on the top of Mt Erebus in Antarctica]. Stills Gallery, Sydney, Australia. 27 February - 13 April 2013.
[Exhibition]Authored by: Noble, A.Noble, A. (2013, November 8).
SECURING THE SHADOW. (No. of Pieces: 8) [5 prints [180mm X 135mm], 1 print [1000mm X 1200mm] and an artist's book of 18 images in concertina form – 130mm X 4500mm]. McNamara Gallery, Whanganui, New Zealand. 8 - 29 November 2013.
[Exhibition]Authored by: Noble, A.Read Abstract:
Noble, A. (2012, March 27).
Nieves Penitentes. (No. of Pieces: 15) [Photography]. Bartley and Company Art.
[Exhibition]Authored by: Noble, A.Manhire, B., Noble, A., Meehan, N., & Griffin, H. (2012).
These Rough Notes: An Evocation of Antarctica. (Photographs, Music, Poetry, Voice) These Rough Notes: An Evocation of Antarctica: New Zealand Ice Fest, Christchurch. Soundings Theatre, Te Papa Tongarewa, Wellington
[Performance]Authored by: Noble, A.Read Abstract:
Noble, A. (2012)
WHITE NOISE #1, #2, #3, #4, #5. [Exhibition] [Five photographs of Antarctic roadworks, 750mm x 1000mm]. Selected for inclusion in the group exhibition, ANTARCTICA curated by Nancy Sever, Tony Oates and Dr Caroline Turner. Drill Hall Gallery, ANU, Canberra, Australia. 24 May - 1 July 2012
[Artwork]Authored by: Noble, A.Read Abstract:
Noble, A., Jones, L., & Maxey, S. (2012, February 24).
Bitch in slippers. (No. of Pieces: 13) [Mixed Media installation, photographs, postcards, text]. City Gallery, Wellington.
[Exhibition]Authored by: Noble, A.Noble, A. (2012, November 30).
Song Sting Swarm. (No. of Pieces: 18) [Photographs]. Two Rooms Gallery, Auckland, New Zealand.
[Exhibition]Authored by: Noble, A.Noble, A., Jones, L., & Maxey, S. (2012, February 24).
BITCH IN SLIPPERS. (No. of Pieces: 13) [Installation comprising 4 X 5 metre mural photograph of a stack of cable spools at the South Pole, 10 photographic prints of trucks with girls names, 10,000 take-away postcards of Antarctic trucks, a 10 X 5 metre rendering in vinyl of a hand written letter to ‘Misty’ [one of the trucks of Antarctica]. Letter by writer Lloyd Jones, hand written typography by Sarah Maxey. Commissioned for the 2012 International Festival of the Arts.]. City Gallery, Wellington, New Zealand. 24 February - 6 April 2012.
[Exhibition]Authored by: Noble, A.Noble, A. (2011)
In the Manner of a Dream / As a Matter of Fact. [Exhibition] World Sleep Conference, Kyoto International Conference Centre
[Artwork]Authored by: Noble, A.Noble, A. (2011)
1000 Waking Bees. [Exhibition] World Sleep Conference, Kyoto International Conference Centre
[Artwork]Authored by: Noble, A.Gibson, R., & Noble, A. (2011)
NIGHT WATCH. [Exhibition] World Sleep Conference, Kyoto International Conference Centre
[Artwork]Authored by: Noble, A.Noble, AL. (2011, May 20).
SPOOLHENGE: SOUTH POLE ANTARCTICA. (No. of Pieces: 5) [Spoolhenge #1, #2 and #3. Three mural size prints, 4000cm X 2000cm]. Cube3 Gallery, Peninsula Arts, University of Plymouth.
[Exhibition]Authored by: Noble, A.Noble, A. (2011, May 19).
Spoolhenge. [Photographic Exhibition]. University of Plymouth, United Kingdom.
[Exhibition]Authored by: Noble, A.Gillam, J., Noble, A., & Yates, A. (2011).
Placemakers. [Curated exhibition]. The Engine Room, Massey University, Wellington, New Zealand (17 Mar - 9 Apr).
[Exhibition]Authored by: Noble, A.Read Abstract:
Noble, A. (2010)
Spoolhenge #1. [Exhibition] Connells Bay Sculpture Park, Waiheke Island
[Artwork]Authored by: Noble, A.Read Abstract:
Noble, A. (2010, August 18).
At the end of the earth. (No. of Pieces: 37) [35 photographic images. One work comprising a grid of 27 photographs 7000mm X 2000mm and a suite of eight photographs 1000mm X 796mm]. Stills Gallery, Sydney (18 Aug - 25 Sep).
[Exhibition]Authored by: Noble, A.Noble, AL. (2009).
Included in 'Antarctica: Joyce Campbell, Anne Noble and Connie Samaras'. [Photographic exhibition]. The Gus Fisher Gallery, The University of Auckland, New Zealand (8 May - 20 Jun).
[Exhibition]Authored by: Noble, A.Noble, A. (2009, November 3).
THE COLOUR OF GOLD. (No. of Pieces: 6) Bartley + Company Art.
[Exhibition]Authored by: Noble, A.Noble, AL. (2009)
Flying invisible. [Exhibition] Included in 'SEND Two Rooms, Auckland, NZ
[Artwork]Authored by: Noble, A.Noble, AL. (2009)
Send. [Exhibition] Two Rooms, 16 Putiki Street, Newton, Auckland
[Artwork]Authored by: Noble, A.Read Abstract:
Noble, AL. (2009)
Antarctica. [Exhibition] The Gus Fisher Gallery, 74 Shortland Street, Auckland
[Artwork]Authored by: Noble, A.Banner, F., Browne, M., Dwyer, M., Noble, AL., Nolan, R., & O'Connor, D. (2009)
Send. [Exhibition] Two Rooms, 16 Putiki Street, Newton, Auckland
[Artwork]Authored by: Noble, A.Read Abstract:
Noble, AL. (2008).
Ice blink: Antarctic photographs. [12 photographs 1000mm X 756mm and 15 photographs 300mm X 200]. Centre for Contemporary Photography, Melbourne, VIC, Australia (12 Sept - 25 Oct).
[Exhibition]Authored by: Noble, A.Noble, A. (2007, December 1).
ANTARCTICA: On thin ice. (No. of Pieces: 4) [Two photographs 1000mm X 756 and two photographs 796mm X 500mm]. United Nations, New York.
[Exhibition]Authored by: Noble, A.Noble, A.(2007).
Antarctic Waters, 2006. [Three minute video loop]. Gus Fisher Gallery, University of Auckland, 09 Jun 2007 - 14 Jul 2007
[Film or Video]Authored by: Noble, A.Noble, AL. (2007, October 30).
ANNE NOBLE - Ruby's Room. (No. of Pieces: 30) [30 Photographs 1500mm X 1200mm Pigment on Paper]. Musee du Quai Branly, Paris, France.
[Exhibition]Authored by: Noble, A.Noble, AL. (2007).
Of landscape and longing. Two Rooms, Auckland, NZ.
[Exhibition]Authored by: Noble, A.Noble, AL. (2007)
Moving Still. [Exhibition] Gus Fisher Gallery, Auckland, NZ
[Artwork]Authored by: Noble, A.Noble, AL. (2007)
Antarctica. [Exhibition] Pitzer Campus Galleries, Claremont, CA
[Artwork]Authored by: Noble, A.Noble, AL. (2007)
Our Fathers. [Exhibition] McNamara Gallery, Wanganui, NZ
[Artwork]Authored by: Noble, A.Noble, AL. (2006)
Deception Island, Antarctica;
Antarctica, Discovery Museum, Dundee, Scotland. [Exhibition] Centre for Contemporary Photography, Melbourne, Vic
[Artwork]Authored by: Noble, A.Read Abstract:
Noble, AL. (2006).
White lantern. Stills Gallery, Paddington, NSW.
[Exhibition]Authored by: Noble, A.Noble, AL. (2006).
Southern lights. Christchurch Art Gallery, Christchurch, NZ.
[Exhibition]Authored by: Noble, A.Noble, AL., & Lunn, MS. (2002).
Revisioning science: Photographs and stories from the scientific imagination [Artefact]. : Wellington, NZ
[Artefact]Authored by: Noble, A.Noble, A., & Brown, A.
'whiteout whitenoise' (2). [Exhibition] Project Space Spare Room Gallery, RMIT, Melbourne, Australia
[Artwork]Authored by: Brown, A., Noble, A.Read Abstract:
Noble, A., Scoones, R., Wirz Justice, A., & Niemitz, A.
Still Moving
(An Abandoned Experiment). [Exhibition] 35th Annual Meeting of the Brazilian Society of Neuroscience and Behaviour, Cahambu, Brazil
[Artwork]Authored by: Noble, A.Noble, A.
Antarctic Waters, 2008. [Exhibition] Gus Fisher Gallery, University of Auckland
[Artwork]Authored by: Noble, A.view less...
Conference
Riley, T., Noble, A., Simons, J., Harrison, V., Schaller, P., & Vander Zwaag, C. (2019, November). A TEACHING AND LEARNING HIVE: EXPLORING DIFFERENTIATION IN PRACTICE THROUGH RESEARCH. Presented at
NZARE New Zealand Association for Education in Research. REVISIONING EDUCATION: SUSTAINING CHANGE, WELLBEING AND INNOVATION. University of Canterbury, Christchurch, New Zealand.
[Conference Oral Presentation]Authored by: Noble, A.Contributed to by: Noble, A.Noble, A.
SEEING BLIND: AMBIGUITY AND CERTAINTY IN THE DIALOGUE BETWEEN ART AND SCIENCE. . University of Plymouth
[Conference Paper]Authored by: Noble, A.Read Abstract:
Noble, A. (2017, July). RETURN OF THE SWATHE. Presented at
SMALL URBAN: NEW ZEALAND INSTITUTE OF LANDSCAPE ARCHITECTS ANNUAL CONFERENCE. Wellington.
[Conference Oral Presentation]Authored by: Noble, A.Read Abstract:
Noble, A. (2017, July). EYES ON ANTARCTICA: Towards a Critical Imaginary for an Environment at Risk. Presented at
Depths and Surfaces . http://antarctica-hasseg.com/biennial-conference-2017/. Hobart, Tasmania, Australia.
[Conference Oral Presentation]Authored by: Noble, A.Read Abstract:
Noble, A. (2016, August). BREAKING ICE
Dialogues between art and science in a climate of change. Presented at
ACE CRC Symposium 2016. CLIMATE SCIENCE FOR AUSTRALIA'S FUTURE. Hobart, Tasmania, Australia.
[Conference Oral Presentation]Authored by: Noble, A.view more...
Noble, A. (2015, April). SONG STING SWARM: Eco-poetics for a Future World. Presented at
"Environmental Photography and Humanities: Contributions to Research and Awareness". Valand Academy, University of Gothenburg.
[Conference Oral Presentation]Authored by: Noble, A.Read Abstract:
Noble, A. (2015, March). ANTARCTICA: From 'Whiteout' to 'Bitch in Slippers'. Presented at
2015 SPE NATIONAL CONFERENCE: Climate, Equity and Community in Photography. New Orleans.
[Conference Oral Presentation]Authored by: Noble, A.Read Abstract:
Noble, A. (2015). ANTARCTICA: From 'Whiteout' to 'Bitch in Slippers'. In
https://guidebook.com/guide/27974/event/10037659/, 2015 SPE National Conference: Climate, Equity and Community in Photography
[Conference Abstract]Authored by: Noble, A.Read Abstract:
Noble, A. (2014, September). IN MY FATHER'S GARDEN. Presented at
Art and Mortality. Australia National University and The National Gallery of Australia.
[Conference Oral Presentation]Authored by: Noble, A.Read Abstract:
Noble, A. (2013, April). These Rough Notes : An Antarctic Re-Photographic Project. Presented at
Environmental Photography. University of Gothenburg.
[Conference Oral Presentation]Authored by: Noble, A.Read Abstract:
Noble, A. (2012, July). Piss poles, Antarctica, 2008. Presented at
Together <> Apart AAANZ Conference, 2012. University of Sydney.
[Conference Oral Presentation]Authored by: Noble, A.Read Abstract:
Noble, A. (2012, June). Antarctica: At the end of the earth. Presented at
TALKING CULTURE: Climate Change and Environmental Photography. Aotea Centre, Auckland.
[Conference Oral Presentation]Authored by: Noble, A.Noble, A. (2011, June). Antarctica - At the end of the earth. Presented at
No Man's Land: The 2011 Land/Water Summer Symposium. University of Plymouth, United Kingdom.
[Conference Oral Presentation]Authored by: Noble, A.Noble, A. (2010, June). ICE BLINK: PHOTOGRAPHING ANTARCTICA. Presented at
Antarctic Visions: Cultural Perspectives on the Southern Continent. University of Tasmania, Hobart, Australia.
[Conference Oral Presentation]Authored by: Noble, A.Noble, A. (2009). White lantern : Light time and space on the polar plateau. (pp. 12 - 12). , Framing Time and Place: Repeats and Returns in Photography
[Conference Abstract]Authored by: Noble, A.Read Abstract:
Lunn, MS., & Noble, AL. (2005). A mobile exhibition for science promotion. (pp. 35 - 36). , Association for Women in Sciences 5th National Conference: 'Science Fever' Hamilton, NZ: Association for Women in Sciences NZ
[Conference Abstract]Authored by: Noble, A.Lunn, MS., & Noble, AL. (2005).
A mobile exhibition for science promotion. Poster session presented at the meeting of 5th National Conference of the Association for Women in the Sciences. University of Waikato, Hamilton, NZ
[Conference Poster]Authored by: Noble, A.Lunn, MS., & Noble, AL. (2005, April). Re-visioning science: Photography and stories from the scientific imagination: A model for participative photographic design research. Presented at
Te Whakatere Arts Conference 2005. Massey University College of Education, Palmerston North, NZ.
[Conference Oral Presentation]Authored by: Noble, A.Lunn, MS., & Noble, AL. (2002, July). Communicating science: image, media and women. Presented at
4th Association for Women in Science (AWIS) New Zealand Conference. Auckland, NZ.
[Conference Oral Presentation]Authored by: Noble, A.Noble, AL., & Lunn, MS. (2002).
Re-visioning science: love and passion in the scientific imagination. Poster session presented at the meeting of Smash Palace: Where the Arts and Sciences Meet?. Alan MacDiarmid Centre, Lower Hutt, NZ
[Conference Poster]Authored by: Noble, A.Noble, A., & Robinson, C.(2000, September). For the love of the people: Participatory design in a community context.
COLLABORATIVE DESIGN. (pp. 81 - 91).
[Conference]Authored by: Noble, A., Robinson, C.view less...
Other
Noble, A., Kalisolaite, U., & Te Ao, S. (2017, February). Activist and political art: dispossession, society, and environment.
[Oral Presentation]Authored by: Noble, A., TeAo, S.Contributed to by: Noble, A.Read Abstract:
Noble, A., & Howden-Chapman, P. (2017, February). Art and Public Health in dialogue. Presented at Otago Medical School, Wellington.
[Oral Presentation]Authored by: Noble, A.Read Abstract:
Noble, A. (2017, February). Activist and political art: dispossession, society, and environment.
[Oral Presentation]Authored by: Noble, A.Read Abstract:
Noble, A. (2017, February). ART AND SCIENCE IN DIALOGUE.
[Oral Presentation]Authored by: Noble, A.Noble, A. (2015, February). Artist's Floor Talk.
[Oral Presentation]Authored by: Noble, A.Read Abstract:
view more...
Noble, A. (2014).
CHRISTCHURCH CHRISTMAS. (pp. 193 - 198). [Photographic essay] Edited by author Lloyd Jones
[Other]Authored by: Noble, A.Read Abstract:
Noble, A. (2014, July). Whiteout #1 - #40. Presented at Port Clyde, Maine.
[Oral Presentation]Authored by: Noble, A.Read Abstract:
Noble, A. (2014).
In Search of an Ecological Sublime.
[Other]Authored by: Noble, A.Contributed to by: Noble, A.Noble, A. (2014, April). In Search of an Ecological Sublime. Presented at A public lecture presented by the Centre for Contemporary Photography, Tuscon in collaboration with the School of Art and the Institute of the Environment.
[Oral Presentation]Authored by: Noble, A.Read Abstract:
Noble, A. (2014, April). From Antarctica to the Honey Bee: In Search of an Ecological Sublime. Presented at Antioch College, Yellow Springs, Ohio, USA.
[Oral Presentation]Authored by: Noble, A.Read Abstract:
Noble, A. (2014).
PHOTOQUAI 2013: Fourth Biennale of Photography. (pp. 60 - 61). Musée du Quai Branly/Actes Sud; Bilingual edition
[Other]Edited by: Noble, A.Read Abstract:
Noble, A. (2013, April). Anne Noble: Artist's talk. Presented at Gold Coast City Art Gallery.
[Oral Presentation]Authored by: Noble, A.Read Abstract:
Noble, A., & Jones L, . (2012, February). Bitch in slippers. Presented at Wellington. : City Gallery Wellington.
[Oral Presentation]Authored by: Noble, A.Read Abstract:
Noble, A. (2012, September). Whiteout. Presented at Centre For Contemporary Photography, Melbourne Australia. : CCP Melbourne Australia.
[Oral Presentation]Authored by: Noble, A.Read Abstract:
Noble, A. (2012, September). Imagining Antarctica. Presented at Christchurch International Ice Festival. : Christchurch Art Gallery.
[Oral Presentation]Authored by: Noble, A.Noble, A., Bennewith, C., Signal, T., & Anderson, A. (2012, April). Science of art - twin engines of creativity. Presented at Palmerston North. : Te Manawa Museum of Art Science and History.
[Oral Presentation]Authored by: Noble, A.Read Abstract:
Noble, A. (2012, May). Antarctica. Presented at ANU. : Drill Hall Gallery, ANU, Canberra.
[Oral Presentation]Authored by: Noble, A.Noble, A. (2012, October). Reflections on Martha Rosler's 'The Bowery in two inadequate descriptive systems.. : Adam Art Gallery, Victoria University.
[Oral Presentation]Authored by: Noble, A.Noble, A. (2012, April). Antarctica: Terra Nullius. Presented at Gold Coast City Gallery.
[Oral Presentation]Authored by: Noble, A.Read Abstract:
Noble, A. (2011).
James K. Lowe: In an Honest World. Musée du quai Branly
[Other]Authored by: Noble, A.Noble, A. (2011, June). Public Lecture: Anne Noble. In
Public, faculty, postgraduate students. Presented at University College Falmouth, England.
[Oral Presentation]Authored by: Noble, A.Noble, AL. (2009).
Joyce Campbell.
[Other]Authored by: Noble, A.Cross, DA., Noble, AL., Shelton, AM., Morris, SM., Leach, ML., & Patrick, MR. (2009). Research presentation. Presented at Wellington, NZ.
[Oral Presentation]Authored by: Morris, S., Noble, A., Patrick, M.Noble, AL. (2007). Of landscape and longing - photographing Antarctica. Presented at Wellington, NZ.
[Oral Presentation]Authored by: Noble, A.Read Abstract:
Noble, AL., & Lunn, MS. (2002).
Women engineers. Fisher and Paykel Appliances
[Other]Authored by: Noble, A.Lunn, MS., & Noble, AL. (2002, May). Revisioning science: floating love and passion in the scientific imagination. : New Zealand Association of Crown Health Institutes Inc.
[Oral Presentation]Authored by: Noble, A.Noble, AL., & Lunn, MS. (2002).
Revisioning science: floating love and passion in the scientific imagination. (pp. 1 - 2). Environmental Science Research Limited
[Other]Authored by: Noble, A.
