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Unlock your imagination, expand your thinking and polish your writing with Massey’s BA (Creative Writing).
Find out more about the Bachelor of Arts parent structure
Inspiration, communication and vocation are at the heart of Massey’s exciting BA (Creative Writing).
It offers you the chance to develop your writing so that it’s pitch-perfect for a variety of audiences. You’ll enhance your critical thinking and master a wide range of transferable communication skills while pursuing your own creative vision.
Creative writing offers you flexibility in writing original work in a variety of genres: learn to write fiction, scripts for the stage and screen, poetry, creative non-fiction, life writing and travel writing.
Our award-winning teachers are also internationally acclaimed writers who teach from their own first-hand experience in moving from idea to page, polishing their work and sending it off to be published or performed.
Your third year has a vocational focus: you’ll produce a working manuscript of your own writing. You also have the opportunity to gain hands-on editing and publishing experience or facilitate a creative writing arts project in your local community.
Students who have taken our creative writing courses have gone on to publish poems, stories, essays and books as well as winning some of New Zealand’s top writing prizes. Why not join them?
A Bachelor of Arts (Creative Writing) is one of the most creative and enriching degrees you can do. Employers seek out BA students for their lateral and analytical thinking, communication skills and creative ability.
There are various possibilities for creative writing graduates, including:
Bryan is the author of three poetry collections, most recently Native Bird, a collection of short stories, Ephraim’s Eyes, and a scholarly book, Resistance to Science in Contemporary American Poetry. He has received writing awards in New Zealand, Australia and the USA, a Vice Chancellor’s Award for Teaching Excellence and a national Tertiary Teaching Excellence Award.
Ingrid is the author of two poetry collections and a genre-bending travel book, Travelling with Augusta, 1835 and 1999. In 2016 she was awarded Massey’s College of Humanities and Social Sciences Teaching Award for her innovative creative nonfiction courses. Ingrid is the co-editor of and a contributor to a forthcoming collection of essays, Extraordinary Anywhere: Essays on Place for Aotearoa New Zealand.
Jack’s publications include five poetry books, three collections of short fiction, and four novels - most recently The Annotated Tree Worship (2017). He has edited numerous anthologies and literary magazines, and is the managing editor of Poetry NZ.
Thom is the author of novels The Naturalist and The Salted Air. He is the editor of a collection of essays, Home. His short fiction has been recognised by Best American Short Stories 2012 and has won other awards. In 2013, he received a Vice-Chancellor’s Award for Sustained Excellence in Teaching.
Stuart has been Playwright in Residence at the Mercury Theatre; Literary Fellow at Auckland University; Burns Fellow at the University of Otago; Writer in Residence at Canterbury University; and Meridian Energy Katherine Mansfield Fellow. He has won the Bruce Mason Award for Playwrights. His screenplay for Lovelock won the New Zealand Writers’ Guild Best Screenplay Award, and his screenplay for I’m So Lonesome I Could Cry was selected for the Un Certain Regard section at the 1994 Cannes Film Festival. His first novel was The Hard Light.
Angie’s work for stage includes Despatch, After Kafka, Amnesia, Memento, The Politician’s Wife, The Bowler Hat, Before the Birds and The River. Her radio plays include All Packed Up, New Zealand Lamb, Carrion, Speed of Light and The Beauty Business. She’s also written three anthologies of plays. Angie has received numerous international awards and was awarded Outstanding Contribution to New Zealand Drama by the Playwrights’ Association of New Zealand in 2011. Angie has won five teaching awards.
Tina’s most recent book is The Imaginary Lives of James Pōneke. Her short story ‘Black Milk’ won the Pacific Regional Commonwealth Short Story Prize (2016). She co-edited an anthology of Māori and Pasifika short fiction, Black Marks on the White Page. Her first novel, Where the Rēkohu Bone Sings, was longlisted for the Dublin Literary Award and won the 2014 Ngā Kupu Ora Aotearoa Māori Book Award for Fiction, also won by her short story collection, Once Upon a Time in Aotearoa (2011). Tina is of Ngāti Tūwharetoa, Te Āti Awa, Ngāti Rangatahi, Pākehā and, according to family stories, Moriori descent.
Elspeth predominately writes political theatre, especially short comedies that subvert the status quo. She is a two-time winner of the British Theatre Challenge international playwriting competition, a two-time invited playwright for Climate Change Theatre Action, a 2018 winner of the Westcliffe Colorado Center for the Arts International Playwriting Competition, and has received audience choice awards in Australia and New Zealand. Her short plays have been published in the USA, UK and Canada.
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