Contact details +6449793250

Associate Professor Dave Carter

Associate Professor - Music Industry

School of Music and Creative Media Production

Research Projects

Summary of Research Projects

Position Current Completed
Project Leader 3 3

Research Outputs

Journal

Rogers, I., Carter, D., Morgan, BA., & Edington, A. (2022). Diminishing Dreams: The Scoping Down of the Music NFT. M/C Journal. 25(2) Retrieved from https://journal.media-culture.org.au/index.php/mcjournal/article/view/2884
[Journal article]Authored by: Carter, D.
Carter, D., & Rogers, I. (2021). Black Flag’s My War Side Two: Cultural and Aesthetic Legacies in Studio Recording. Popular Music and Society. 44(4), 438-450
[Journal article]Authored by: Carter, D.
Ballico, C., & Carter, D. (2018). A state of constant prodding: live music, precarity and regulation. Cultural Trends. 27(3), 203-217
[Journal article]Authored by: Carter, D.
Carter, D., & Whiting, S. (2016). Access, Place and Australian Live Music. M - C: A Journal of Media and Culture: (Media and Culture). 19(3) Retrieved from http://journal.media-culture.org.au/index.php/mcjournal/article/view/1085
[Journal article]Authored by: Carter, D.
Carter, D. (2014). Sketching the Lao Music Industries. The Malaysian Music Journal. 3, 32-47 Retrieved from http://ecite.utas.edu.au/94004
[Journal article]Authored by: Carter, D.
Carter, D. (2014). Erratum: Remixing experimental music (Musicology Australia). Musicology Australia. 36(1), 1-12
[Journal article]Authored by: Carter, D.
Carter, D., & Rogers, I. (2014). Fifteen years of'Utopia': Napster and Pitchfork as technologies of democratization. First Monday. 19(10)
[Journal article]Authored by: Carter, D.
Carter, D. (2012). Reich Remixed: Minimalism and DJ Culture. Context: A Journal of Music Research. , 37-53 Retrieved from http://ecite.utas.edu.au/83174
[Journal article]Authored by: Carter, D.
Carter, D. (2009). Surface Noise: A Cagean Approach to Electronica. Popular Musicology Online. , 1-10 Retrieved from http://ecite.utas.edu.au/94005
[Journal article]Authored by: Carter, D.

Book

Ballico, C., & Carter, D. (2021). Music cities, or cities of music?. In Researching Live Music: Gigs, Tours, Concerts and Festivals. (pp. 199 - 211).
[Chapter]Authored by: Carter, D.

Creative Work

Carter, D., Howe, B., Davenport, H., White, S., Appleyard, F., & Gill, B. (2021). 39 Days - King Fish. https://open.spotify.com/track/5XSYHdkCngYo7thooP4kEw
[Composition]Authored by: Carter, D.Contributed to by: Carter, D.
Kelly, T., Clark, D., Perry, B., Holton, F., Carter, D., & Howe, B. (2020). Fastest Man on the Pitch - STINK.
[Composition]Authored by: Carter, D., Howe, B.Contributed to by: Carter, D.
Carter, D., & Encarnacao, J. (2020). Wooden Box with Strings.. (Recorded Work)Half a Cow Records: https://johnfernando.bandcamp.com/album/wooden-box-with-strings
[Composition]Authored by: Carter, D.
Lloyd, K., Wilson, K., Street, A., Carter, D., Sanders, K., & Moorhead, B. (2019). Away from the Sun. (Album (Vinyl, Digital))Kasumen Records: Melbourne, Australia
[Composition]Authored by: Carter, D.
Carter, D., McKenna, A., & Favell, A. (2019). Aurora Australis. (Album)
[Composition]Authored by: Carter, D.
Miller, D., George-allen, S., Roche, T., Mackenzie, K., & Carter, D. (2017). Death is a Miracle + Classics EP Prodcution. (Tym Records)
[Composition]Authored by: Carter, D.
Salter, B., & Carter, D. (2017). Ben Salter - Back Yourself: Recording Production. (Australian Broadcasting Corporation)
[Composition]Authored by: Carter, D.
Perren, C., & Carter, D. (2017). Cults by Nonsemble EP Production. (Sugarrush Records)
[Composition]Authored by: Carter, D.
Rogers, I., Miller, D., Gillies, A., & Carter, D. (2016). I Hate Myself And I Want To Live. (No Anchor)
[Composition]Authored by: Carter, D.
Carter, D. (2013). Flood Plains. (Bandcamp / Independent)
[Composition]Authored by: Carter, D.
Carter, D. (2013). Changing Light. (Independent (iTunes / etc.))
[Composition]Authored by: Carter, D.
Carter, D.The Shadows Calling. [Mona].
[Exhibition]Authored by: Carter, D.
Carter, D.Mary Meets Mohammad Soundtrack. [Warratah Films].
[Film or Video]Authored by: Carter, D.

Report

Carter, D., Rogers, I., & Morgan, B. (2023). Between Two Webs: Australian Music and NFTs.
[Commissioned Report]Authored by: Carter, D.
Carter, D., Hoad, C., Wilson, O., & Wilson, J. (2022). Barriers for women in creative technology tertiary training in Aotearoa.
[Commissioned Report]Authored by: Carter, D., Hoad, C., Wilson, O.
Carter, D., Hoad, C., & Muller, P. (2020). The Economic and Cultural Contributions of the Small to Medium Theatre Sector in the City of Sydney, 2018-19.
[Commissioned Report]Authored by: Carter, D., Hoad, C.
Carter, D., & Hoad, C. (2020). Summary and Comparison: The Economic and Cultural Contributions of select creative sectors in the City of Sydney, 2016-2020.
[Commissioned Report]Authored by: Carter, D., Hoad, C.
Smith, C., Frieling, M., & Carter, D. (2019). Estimating the value of Culture:Research report prepared for the Ministry for Culture and Heritage. Kōtātā Insight.
[Commissioned Report]Authored by: Carter, D.
Carter, D., & Muller, P. (2019). The Economic and Cultural Contributions of the City of Sydney’s Creative Spaces Program, 2017-18.
[Commissioned Report]Authored by: Carter, D.
Carter, D. (2018). The Tasmanian Music Industries 2018.
[Commissioned Report]Authored by: Carter, D.
Carter, D., & Muller, P. (2018). The Economic and Cultural Value of Live Music in the Northern Territory.
[Commissioned Report]Authored by: Carter, D.
Carter, D., & Muller, P. (2018). The Economic and Cultural Contributions of Film Festivals in Sydney.
[Commissioned Report]Authored by: Carter, D.
Carter, D., & Muller, P. (2016). Value of Live Music In Sydney Final Report.
[Commissioned Report]Authored by: Carter, D.
Carter, D., & Muller, P. (2016). Value of 2SM Artspaces in Sydney Final report.
[Commissioned Report]Authored by: Carter, D.
Carter, D. (2015). The Economic and Cultural Value of Live Music in Australia 2014.
[Commissioned Report]Authored by: Carter, D.
Carter, D. (2009). Online Marketing Research Paper.
[Commissioned Report]Authored by: Carter, D.

Conference

Carter, D., Hoad, C., & Wilson, J.Gendered Barriers to Creative Tech Training. . Wellington
[Conference Paper]Authored by: Carter, D., Hoad, C.
Carter, D.DIY dreaming: a prehistory of music nfts and web3. . Brisbane / Porto
[Conference Paper]Authored by: Carter, D.
Carter, D.A Swung Dembow and a Triangle Wave.. . Wellington
[Conference Paper]Authored by: Carter, D.
Carter, D.Well Past Time: Notes on a Musicology of Audio Recording Production. Art of Record Production conference 2005.. Retreived from http://ecite.utas.edu.au/94007
[Conference]Authored by: Carter, D.

Other

Carter, D. (2018). Snoop, Dre, Cypress Hill: How hip hop went mainstream and embraced weed in the 1990s: Interview with Paul Donoughue.
[Other]Authored by: Carter, D.
Carter, D. (2015). Re-emergence of cassettes as a music consumption format.
[Other]Authored by: Carter, D.
Carter, D. (2015). First half hour - 13th August, 2015. Illegal firearms, live music & swooping magpies.
[Other]Authored by: Carter, D.

Media and Links

Media

  • 21 Sep 2018 - Online
    Double J Interview
    Snoop, Dre, Cypress Hill: How hip hop went mainstream — and embraced weed — in the 1990s: Interview with Paul Donoughu